This article is about the treatise by Aristotle. This has been the traditional view for centuries. Differences in music rhythm, the rhetoric and the poetics of aristotle pdf, meter and melody.
Difference of goodness in the characters. Difference in how the narrative is presented: telling a story or acting it out. The work was lost to the Western world for a long time. Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative parts.
The characters must be four things: good, appropriate, realistic, and consistent. Narratives, stories, structures and poetics overlap. It is important for the poet to visualize all of the scenes when creating the plot. Aristotle believed that all of these different elements had to be present in order for the poetry to be well-done. However, starting in 1948 with a Macedonian classicist, M. Possible criticisms of an epic or tragedy, and the answers to them. Tragedy as artistically superior to epic poetry: Tragedy has everything that the epic has, even the epic meter being admissible.
The reality of presentation is felt in the play as read, as well as in the play as acted. The tragic imitation requires less space for the attainment of its end. If it has more concentrated effect, it is more pleasurable than one with a large admixture of time to dilute it. Aristotle, make up the matter of poetic creation.
Greek tragic drama included a singing chorus, and so music and language were all part of the performance. These points also convey the standard view. Greece had: music, dance, and language. Also “agents” in some translations. Aristotle finds that tragedy treats of serious, important, and virtuous people. Comedy, on the other hand, treats of less virtuous people and focuses on human “weaknesses and foibles”.